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How It Works Out

A Novel

ebook
1 of 4 copies available
1 of 4 copies available

** Longlisted for the 2024 Story Prize **
"Audacious, breathtaking, and inspiring." —GEORGE SAUNDERS

"Madcap, delirious, exhilaratingly good." —KELLY LINK

"A delightfully bizarre and unabashedly queer revelation." —TEGAN and SARA QUIN

"A beautifully brilliant, hilariously sad stunner of a debut that never forgets about the heart." —NANA KWAME ADJEI-BRENYAH

What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out?
When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals:
What if they became mothers by finding a baby in an alley? What if the only cure for Myriam's depression was Allison's flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker—or sexier—would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?
From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love's many promises and perils.

Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a genre-bending, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.

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    • Publisher's Weekly

      March 11, 2024
      LaCroix’s provocative first novel traces a lesbian couple’s disintegrating relationship across a series of alternate realities. Aspiring musician Allison works at a call center and deems herself the “breadwinner,” barely supporting artist Myriam in their run-down punk house in East Vancouver, British Columbia. Their lurid story plays out in a series of speculative chapters. In one, the couple finds a baby abandoned in an alley, names him Jonah, and raises him with the help of his birth mother. In another, it’s Allison who gives birth to Jonah. At age 17, he’s sent to prison for murdering and eating his high school boyfriend, in a gruesome variation on an earlier episode when Allison lost a finger in an ice-skating accident and Myriam kept it to eat. In each version of reality, Myriam’s depression and germophobia drive the primary wedge between the couple and prompt their separation (“I need to stop using relationships as a crutch for my mental illness,” Myriam tells her therapist). LaCroix’s experiments with a multiverse structure and body horror generate potent symbols for the struggles of queer relationships, as does her biting wit (here’s Myriam, describing the tension caused by Allison’s determination to launch her music career: “I could practically see the to-do list in her eyes, scrolling by like the opening of Star Wars”). Readers won’t soon forget LaCroix’s singular voice. Agent: Daniel Kirschen, CAA.

    • Kirkus

      April 15, 2024
      This mesmerizing novel-in-stories traces a relationship between two women across different realities. There is always an Allison and a Myriam. There is occasionally fame or fortune or a Woohoo's Haunted Castle shirt. Our protagonists might not always be human or happy together, but there is always palpable desire and tension between the two and an edge of surreality to the lives they lead. In "The Meaning of Life," the opening chapter of Lacroix's debut novel, Allison and Myriam are an established couple who lay claim to a baby abandoned in an alleyway. The strangeness of this particular life is Coen brothers-esque: While danger is very real, everyone muscles through the peculiarity that surrounds them with confidence and humor. The immediate follow-up, "Love Bun," illustrates how far afield Lacroix is willing to go, chronicling the women's matter-of-fact slide into cannibalism after they discover the euphoria that comes with consuming even a tiny part of a loved one. Power dynamics shift across chapters--in one, Allison is the more stable half of their celesbian couple; in another, Myriam is Allison's CEO boss--but no matter the scenario, Lacroix shows a gift for cutting to the heart of things: the way you inevitably open yourself up to both injury and transformation when you try to love and be loved. Some readers may wish for a stronger throughline (only "Love Bun" gets an overt response in "The Feature," the novel's last chapter), but for those willing to ride the wave, there are great rewards. As kaleidoscopic as the queer experience, this is an introduction to a writer of great imagination.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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