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He seems like such a nice man. You’d never guess what was going on in his mind…
Art history professor James Qatar has a hobby: he takes secret photographs of women to fuel more elaborate fantasies. When he’s alone. Behind locked doors. Then one day, he goes a step further and... well, one thing leads to another. Qatar has no choice. He has to kill her. And you know something? He likes it.
When Deputy Chief Lucas Davenport takes the case, he assumes it’ll be straightforward police work. He couldn’t be more wrong. As the investigation trail takes some unexpected turns, it becomes clear that nothing is straightforward about this killer, his victims, or his motives. And to stop him Lucas has no choice but to walk right into his lair.
WITH A NEW INTRODUCTION BY JOHN SANDFORD
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    • Publisher's Weekly

      Starred review from April 23, 2001
      The 13th title in the Prey series (Easy Prey, etc.) has wealthy Minneapolis Deputy Police Chief Lucas Davenport in up to his Porsche-driving fingertips. Lucas is trying to track an elusive serial killer while reuniting with former fiancée Weather Karkinnen who—after a couple of years' estrangement following her narrow escape from a crazy biker in one of Lucas's former cases—has suddenly decided she wants to have his baby. Weather is a formidable distraction, but the killer—revealed to readers from the beginning as James Qatar, a suave professor of art history with a yen for strangulation—proves to require even more attention. Soon after the body of a young blonde is found in a partially excavated grave on a remote wilderness hillside, a deputy sheriff from backwater Wisconsin shows up with a file containing case histories of several women reported missing in Wisconsin and Minnesota over a nine-year period. Fearing the worst, Lucas orders the hillside surveyed; subsequent excavation uncovers seven more bodies. The art world connections of some of the victims and the discovery of pornographic drawings suggests a link to the art community around the local Catholic university. As the net tightens, the usually coolheaded Qatar, already plotting the fate of a daring fabric artist in cahoots with the police, gradually loses control. With Lucas and his team watching his every move, he eludes surveillance and carries out a final desperate attack. Sandford is in top form here, his wry humor and his development of Lucas's combative, affectionate relationship with Weather lighting up the dark of another grisly investigation. Simultaneous audio. (May)Forecast:Sandford's thrillers are reliably excellent, and his latest, a BOMC main selection backed by a national ad/ promo campaign and an author tour, marks a high point in the Prey series. The book should hit #1 its first week out.

    • AudioFile Magazine
      Richard Ferrone's warm and folksy tones, perfectly at home with lighter works such as the comic thrillers of Lawrence Shames, might seem wrong for a slick and tense thriller like this one. However, things work out fine: Ferrone's light style is perfect for the banter between Minneapolis homicide investigator Lucas Davenport and his colleagues, and he has no problem dialing up creepiness when voicing James Qatar, art teacher by day and remorseless killer, dubbed "The Gravedigger," by night. Sandford's story, twelfth in his long-running Prey series, is taut and involving, and Ferrone serves it well. J.P.M. (c) AudioFile 2001, Portland, Maine
    • Publisher's Weekly

      July 2, 2001
      Audio Reviews reflect PW's assessment of the audio adaptation of a book and should be quoted only in reference to the audio version. Fiction CHOSEN PREY John Sandford, read by Eric Conger. Putnam, abridged, four cassettes, 6 hours, $24.95 ISBN 0-399-14758-6 Just as Sandford (Easy Prey; Sudden Prey) has come to be known as a reliable provider of bestselling thrillers, so Eric Conger—who won a Golden Earphone Award for his reading of the abridged version of Certain Prey—has emerged as the ideal voice for Lucas Davenport, Sandford's wealthy, attractive, easily bored Minnesota deputy police chief, who manages to be a caring friend and lover while watching terrible things happen to those around him—then going out and catching the miscreants responsible for those terrible deeds. Conger deftly brings Sandford's villains to life: a jolly, pipe-smoking art professor and sexual pervert named James Qatar, for example, who first tortures women by turning their images into computerized pornography, and then kills them. Add to that the multifaceted gallery of cop colleagues and current and ex-lovers that Conger skillfully evokes with his vocal talents, and it would be hard to say just who works harder—the writer or the performer. Simultaneous release with the Putnam hardcover (Forecasts, Apr. 23).

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