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Ugly Ways

ebook
1 of 1 copy available
1 of 1 copy available
Three sisters return to their southern hometown after the death of their difficult, demanding mother, in a novel by the author of Baby of the Family.
In life, Esther Lovejoy was an intolerable mother. She raised her daughters with an iron fist, browbeat her husband into submission, and insisted they call her Mudear (an abbreviation of Mother Dear). As adults with successful careers, Betty, Emily, and Annie Ruth have scattered across the country to avoid Mudear’s influence. But now it’s time to lay her to rest, and the Lovejoy sisters have returned to Mulberry, Georgia, to pay their last respects.
 
What they discover is that while Mudear may be dead, she is far from gone. With a large dose of compassion and a generous splash of humor, Tina McElroy Ansa serves up a powerful tale of family secrets and the ways our scars make us stronger.
 
“A voice that is fresh and strong and just quirky enough to stand out from the crowd.” —The Boston Sunday Globe
 
“An entertaining read . . . The author, like a good small-town gossip . . . paints a vivid picture of three bright, beautiful and emotionally scarred African-American sisters.” —Los Angeles Times
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    • Publisher's Weekly

      January 16, 1995
      The author of Baby of the Family unfolds the story of three African American sisters reunited by the death of their domineering mother.

    • Publisher's Weekly

      June 28, 1993
      A trio of African American sisters reunite for their mother's funeral in this sometimes poignant but often tedious second novel by the author of Baby of the Family . Joining their father in Mulberry, Ga., the women share bitter memories of domineering ``Mudear,'' who made her family's life virtually intolerable after she had a mental breakdown they refer to as The Change. Betty, the eldest, takes charge of the burial preparations; divorced Emily appears to be on the verge of nervous collapse herself; and Annie Ruth, a West Coast TV anchorwoman, is pregnant and plagued by nightmarish visions of cats. Their father, Ernest Lovejoy, has become a passive shell of the man he was after years of Mudear's browbeating, but that relationship holds the key to an understanding of his dead wife's attitude towards men and the world. Ansa constructs a convincing portrait of a woman so angry she seems to speak from the grave, but the graceless prose does not convey the emotional impact of Mudear's cruelty. Despite rich characterizations and flashbacks that reveal each family member's secrets, this often static narrative fails to hold the reader's interest.

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  • English

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