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The Compton Cowboys

The New Generation of Cowboys in America's Urban Heartland

Audiobook
1 of 1 copy available
1 of 1 copy available

"Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book." Margot Lee Shetterly, New York Times bestselling author of Hidden Figures

A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America's most notorious cities.

In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha's youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration.

The Cowboys include Randy, Mayisha's nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings—Kenneth, Keenan, Chris, and Tre—for whom horses bring the freedom, protection, and status that often elude the young black men of Compton.

The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph.


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    • AudioFile Magazine
      Narrator Glenn Davis's voice is gentle and steady whether he's setting scenes or introducing the black cowboys who are often seen on the streets of Compton, California. He conveys the joy, love, and inner calm that come with their devotion to horses. Walter Thompson-Hernandez of THE NEW YORK TIMES embedded himself with the Compton Cowboys, a group of 10 riders, to show their "horse life" by telling the stories of the mostly male group. The tales include death and unnerving violence but also follow members on professional rodeo and show-jumping circuits and show healing through their work with horses. The Compton Cowboys have achieved celebrity, but Thompson-Hernandez also introduces listeners to other riding groups that can be found across the country. J.A.S. © AudioFile 2020, Portland, Maine
    • Kirkus

      February 15, 2020
      A year in the lives of 10 inner-city men fighting to keep black cowboy culture alive and well even as their personal lives are in disarray. By the time New York Times reporter Thompson-Hern�ndez caught up with them, the Los Angeles-based Compton Cowboys seemed to be experiencing a wishful and elegiac pall. The equine outpost, which had always served as refuge and home away from home throughout the crew's often tumultuous and traumatized childhoods, was in dire straits. Mayisha Akbar, the indomitable force of nature who founded the Compton Junior Posse in 1988, was heading toward retirement, and the big-money donors that had kept the expensive operation afloat were slowly disappearing. The mantle of ranch leadership was about to shift to Randy, Mayisha's nephew. While Randy understood what was required to allow the group to blaze a new trail into the future, the stakes were high: keeping alive the legacy and heritage of men like Nat Love and Bill Pickett, real-life black cowboys who, despite Hollywood's whitewashing of history, were integral in establishing what became known as the Wild West. However, regardless of their determination to pass down the black cowboy tradition to the next generation of new riders, the CJP members had to cope with the daily realities of life on the gang-scarred streets of Compton. In his intimate yet sober-eyed narrative, Thompson-Hern�ndez never shies away from those realities. All of the Compton Cowboys, to some degree, have struggled with the PTSD associated with the neighborhood's dangerous landscape. Across the board, there continues to be unresolved anger and alcoholism, self-doubt and trepidation. Describing Mayisha's retirement party, the author writes, "the future of the ranch was uncertain and everyone in attendance looked at the cowboys for answers that they did not have." The author's fondness and respect for the CJP crew is consistently patent (only occasionally overly so), and he tells their story straight, no matter how much it hurts. A gritty and somber chronicle of an often overlooked community.

      COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      March 1, 2020
      New York Times writer Thompson-Hernandez chronicles the fading legacy of the Black cowboys of Compton, California, in thoughtful and compassionate style. In 1988, real estate agent Mayisha Akbar founded Richland Farms, the site of one of the first Black cowboy ranches in the U.S., in order to keep young kids off the streets and out of gangs by providing opportunities to care for and ride horses. Three decades later, Akbar is retiring, and those boys are now men. Akbar's nephew Randy is poised to take over the ranch, but funds have run dry, and, while people still love seeing the Compton Cowboys, children no longer seem interested in joining themselves. While the ranch has been a saving grace for the 10 men still riding, they've also experienced violence and pain at the hands of the neighborhood and suffer consequences like PTSD and alcoholism. Thompson-Hernandez never shies away from the cowboys' trauma, and his respect for them is clear. This is an endearing tribute to them, Akbar, and the benefits of equine therapy.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

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