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Wannabe

Reckonings with the Pop Culture That Shapes Me

Audiobook
2 of 3 copies available
2 of 3 copies available

BEST READS OF 2023: New York Times Book Review

  • USA Today
  • The Skimm
  • Bookpage
  • St Louis Post-Dispatch / BEST HOLIDAY GIFTS 2023: Publishers Weekly / MOST ANTICIPATED READS OF 2023: ELLE
  • The Millions
  • Essence

    "Aisha Harris is one of our smartest, most entertaining modern cultural critics (...) which might as well be parlance for, "Read me immediately."—ELLE

    Aisha Harris has made a name for herself as someone you can turn to for a razor-sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.

    In the opening essay, an interaction with Chance the Rapper prompts an investigation into the origin myth of her name. Elsewhere, Aisha traces the evolution of the "Black Friend" trope from its Twainian origins through to the heyday of the Spice Girls, teen comedies like Clueless, and sitcoms of the New Girl variety. And she examines the overlap of taste and identity in this era, rejecting the patriarchal ethos that you are what you like. Whatever the subject, sitting down with her book feels like hanging out with your smart, hilarious, pop culture–obsessed friend—and it's a delight.

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      • Publisher's Weekly

        Starred review from April 24, 2023
        “Pop culture shapes us, and we shape it right back in an invigorating feedback loop of creativity and interpretation,” contends Harris, host of NPR’s Pop Culture Happy Hour, in her refreshing debut, which reflects on the music, movies, and TV shows that have had a formative impact on her life. In “Isn’t She Lovely?” Harris recounts how as a teenager she took pains to tell people she was named after a lyric in the Stevie Wonder song and not Another Bad Creation’s 1990 hit “Iesha,” lamenting that this impulse was driven by internalized anti-Blackness and her desire to distance herself from the “unusual Black” spelling, which she feared would mark her as “ghetto.” Harris is an astute observer of the artist/audience relationship, as when she suggests that fans pressure artists to become politically outspoken because fans construct their own identities around their cultural tastes, and so wish for their fandom to express their values. Other pieces explore the racist pushback against casting a Black actor as Ariel in the live-action remake of The Little Mermaid and the lack of narrative closure offered by the endless parade of Hollywood reboots, remakes, and prequels, serving up insightful perspectives in animated prose that affirm Harris’s status as a first-rate cultural critic. As incisive as they are entertaining, these essays are a treat.

      • AudioFile Magazine
        NPR podcast cohost Aisha Harris passionately dissects pop culture, delivering an honest portrayal of her life. Her musings are funny, tender, and sometimes searing rebuttals of others' critiques. Harris examines the "Black friend" trope by referencing the TV shows "New Girl," "Scrubs," and "Happy Endings." She compares the development of serialization, reboots, remakes, sequels, and reimaginings to the dwindling amount of original content and ponders the current nostalgia trend. She explains why she doesn't want to have children by referencing movies like KNOCKED UP and shows like "Catastrophe." Her casual style creates a tone of friendly conversation. For example, as a comeback to criticism of an article of hers that went viral, she exhaustedly sighs, "Whatever . . ." A.L.C. © AudioFile 2023, Portland, Maine

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    • English

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