The Hollywood Reporter

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

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The Hollywood Reporter

Why Do the Oscars Have It in for SNL Alums? • Even among comedians, veterans of the late night show get the short end of the awards stick compared to people who never starred on it

Walter Salles: Raging Bull Losing Best Picture to Ordinary People in 1981

‘Live From (a Giant Soundstage in Atlanta) … It’s Saturday Night!’ • In this new running feature, THR goes behind the scenes to learn how production designers on some of the season’s most ambitious movies gave films their look. In this issue, Saturday Night production designer Jess Gonchor explains how he was tasked with re-creating the 1975 Saturday Night Live set on a 40,000-square-foot Georgia stage without a lot of historical guidance: ‘There was documentation, but nothing really concrete to go on’

The Man Who Invented Livestreaming • At the 1972 Munich Olympics, ABC Sports’ Geoffrey Mason was faced with the grim choice of a lifetime

PORTRAIT OF THREE LADIES • How Pablo Larraín navigated a high-wire act directing Maria and why it makes for such a perfect trio with Jackie and Spencer

HOW MOHAMMAD RASOLOUF BECAME THE IRAN GIANT • The Seed of the Sacred Fig director risked his life to make a movie about the regime. Now audiences can hear his cry for help

ELTON JOHN CAN FEEL THE LOVE • In the new documentary Never Too Late, the icon is seen blazing a trail and leaving the road

CELINE DION WILL GO ON • She’s lifted so many others out of the depths, but now the renowned songbird faces her own trials — and the director of I Am: Celine Dion was there to document part of the journey

Through the Eyes of a Child • DP Yorick Le Saux breaks down Blitz’s subway flooding sequence

When Spielberg Tackled the Olympics Hostage Crisis